The following passages from The Egyptian Book of the Dead are graphic and repulsive and are presented solely for the purpose of expose.
" DRINKING BLOOD
(15) "Hail, devourer of Blood, who camest forth from the block of slaughter, I have not acted guilefully."
" CANNABALISM - EATING INTESTINES
Hail , Eater of intestines, coming forth from Mabet, not have I desolated ploughed lands."
" TORTURE CHAMBER
(21) "Hail, thou two-headed serpent, who comest forth from the torture-chamber, I have not defiled the wife of any man."
" THE CRUSHER OF BONES
(9) Hail, Crusher of Bones, who comest forth from Suten-henen, "I have told no lies."
" WASHING IN BLOOD
Behold ye then god this great of slaughter, mighty of terror, he washeth in your blood, he batheth in your grave."
" KILLING ANIMALS - LOCKS OF HAIR
I have obtained the mastery over the animals with the knife in their heads and their locks of hair, who live among their emeralds, the aged and the shining beings who prepare the moment of Osiris Ani, triumphant in peace. He maketh slaughter upon the earth, and conversely, I am strong."
" KING UNAS EATS HEARTS
He has taken the hearts of the gods.
He has eaten the Red.
He has swallowed the Green.
Their charms are in his belly.
He has swallowed the knowledge of every god.
The lifetime of King Unas is eternity.
" KING UNAS IS A CANNIBAL FOND OF SCALPING PEOPLE AND BONDAGE
509. UNAS devoureth men and liveth "upon the gods, he is the lord of envoys, whom he sendeth forth on his missions. "He who cutteth off hairy scalps," "who dwelleth in the fields, tieth the gods with ropes".[/color]
" BONDAGE - MURDER - CANNABALISM - DISMEMBERMENT, THE VICTIMS' THROATS ARE CUT AND THE BODY PARTS ARE BOILED IN A CALDRON AT NIGHTTIME
510. Tcheser-tep keepeth guard over them for Unas and "driveth them unto him; and the Cord-master bound "them for slaughter. Khonsu the slayer of the wicked "cutteth their throats."
511. and draweth out their intestines, "for it is he whom Unas sendeth to slaughter; and Shesmu "cutteth them in pieces and boileth their members in his "blazing caldrons of the night."
" THE THIGHS OF THE FIRST BORN ARE HEAPED UP
513. The old gods "and the old goddesses become fuel for his furnace. The "mighty ones in heaven light the fire under the caldrons" where are heaped up the thighs of the firstborn.
" THE RITUAL FIRE IS STARTED WITH THE THIGHS OF A WOMAN
514. "Unas lighteth the fire under the caldrons with the thighs "of their women."
" HACKING IN PIECES THE FIRSTBORN
 Unas hath weighed his "words with the hidden god who hath no name, on the day of hacking in pieces the firstborn."
" UNAS EATS MAGICAL CHARMS
Behold, Unas eateth of that which the red crown "sendeth forth, he increaseth, and the magical charms of the gods are in his belly."
" A GOD BORN FROM THE BUTTOCKS OF A COW
"Every season of the flood I saw god born from the buttocks of a cow..."Come" said the lord of life to the lord of death one day. "Let us make a truce. I shall bring forth creatures and deliver them unto death, if you deliver the dead unto life...."On the day I saw Ra born from the buttocks of a cow I was overcome with weeping....These are the manifestations of Horus, a thousand souls in his train, an army marching against darkness. These are souls returning to earth, men and women beautified....In the house of death there awaits a being of darkness whose eyebrows swim on his forehead like fishes....I shall not fall under flashing knives I shall not burn up in the cauldron...I have seen the face of evil -- a face full of burns and scars, tortures inflicted upon the self. He would scald his own chest and blame it on others. He would slash his own wrists and blame it on the gods....Now is the day of the joining of opposites, of the mingling of the dust of flesh with the dust of the coffin. This is the day of flow, the living ether returned to air, the maker of forms assuming new form. This is the day without end --- the passage into light itself, the joining of Osiris to Ra."
" BOAT RITUAL
"These illustrations from Albert Champdor's "The Book of the Dead" show a mummy with phallus erect sliding into the Seventh Region of the Lower World, described as being "filled with serpent coils and four sons of Horus who protect the viscera of the Dead."
" THE EATING OF DEAD BODIES
"O Ra-Tmu, Lord of the Great House, prince, life, strength and health of all the gods, deliver thou [me] from the god whose face is like unto that of a dog, whose brows are as those of a man, and who feedeth upon the dead, who watcheth at the Bight of the Fiery Lake, and who devoureth the bodies of the dead and swalloweth hearts, and who shooteth forth filth, but he himself remaineth unseen."
" RITUAL SLAUGHTER OF AN ANIMAL
Illustration below, shows the passing down of body parts and pitchers of blood.
" THE HEART IN THE JAR
The heart is placed in a jar to be weighed for judgement. The double Maat goddesses are at times represented standing beside the balance to watch the result of the weighing, and at the same time Maat is also placed in the scale to be weighed against the heart of the deceased.
"In the papyrus of Qenna the head of Anubis is on the beam and the ape, wearing disk and crescent, is seated upon a pylon-shaped pedestal beside the balance."
"Another vignette shows Horus holding Maat in his hand, weighing the heart in the presence of the Maat goddesses, and Anubis holding the deceased by the hand, presents the heart to Osiris while Isis and Nephthys in the form of apes sit near."
" SEXUAL PERVERSION
It is Osiris. Others, however, say that his name is Ra, and that the god who dwelleth in Amentet is the phallus of Ra, wherewith he had union with himself."
"Who is this? It is Osiris. Others, however, say that it is the dead body of Osiris, and yet others say that it is the excrement of Osiris."
" SELF-MUTILATION AND PERVERSION
"Who are these gods? They are the drops of blood which came forth from the phallus of Ra when he went to perform his own mutilation. These drops of blood sprang into being under the forms of the gods Hu and Sa, who are in the bodyguard of Ra, and who accompany the god Tem daily and every day."
" CHAMBER OF SNAKES
Manly P. Hall 33° Mason, describes a ritual in the second degree of the Egyptian Mysteries that we will show to be very similar to modern Satanic rituals.
"The chamber appeared to be filled with reptiles, to teach the Necoris to withstand bodily terror. The greather the courage shewn on this trial, so much the more was he lauded after reception."
" THE SCARAB
It was believed that the Scarab, if placed in the heart of the deceased, will perform the opening of the mouth so that the deceased may speak words of power or the innermost intentions of his soul.
The scarabs which are found in the mummies, or lying upon the breast just above the position of the heart, form an interesting section of every large Egyptian collection.
"SCARAB: a design based on the dung beetle, this is the ancient Egyptian symbol of reincarnation. It also is associated with Beelzebub, Lord of the Flies."
" THE ANKH
ANKH: This is an Egyptian symbol of life and often is associated with fertility.
" EGYPTIAN SEX MAGIC
"Spell to Seduce a Married Woman. Unas cohabits with his phallus, Unas is the lord of seed, he who takes the women from their husbands, whenever Unas wants, according to the wish of his heart." Pyramid Texts, Spell 510
" THE GOAT OF MENDES
The Satanic practice of using a goat for sexual purposes during a ritual also comes from Egypt. The Goat of Mendes or Baphomet is the most famous of all Satanic symbols. The Satanic goat takes its name from a city in Egypt where the goat was used publicly in a public ritual. This information is from a book called A History of Phallic Worship. The Egyptians showed this incarnation of the Deity by a less permanent, though equally expressive symbol. At Mendes a living goat was kept as the image of the generative power, to whom the women presented themselves naked, and had the honour of being publicly enjoyed by him. Herodotus saw the act openly performed, and calls it a prodigy. But the Egyptians had no such horror of it; for it was to them a representation of the incarnation of the Deity, and the communication of his creative spirit to men.
The illustration on the left is the most widely used of all Satanic symbols, the Goat of Mendes or the Baphomet as it was drawn by Freemason Eliphas Levi. On page 20 of this book, there is a picture of a goat with the other pagan gods that was taken from The History of Freemasonry published by the Masonic History Company and they admit that the goat is indeed the Goat of Mendes.
Figure 17 is a representation of a four-horned goat, which is said to be from Spain, with two upright and two lateral horns. This animal was alive in London about 1769. It is a symbol of the goat of Mendes.
" THE SYMBOLIC CRUCIFIXION
The symbolic crucifixion in the next picture is occuring in the King's Chamber of the Great Pyramid and is taken from the book, The Phoenix, by 33° Mason Manly P. Hall. A Satanic ritual abuse survivor from Dearborn County, Indiana, confirmed that he was hung on a wooden cross in a similar ritual.
Manly P. Hall 33° Mason writes:
"Professor Breasted, the most distinguished Egyptologist, told me that he was convinced that this book contained the ritual of a sacred drama performed by the living in the secrecy of the ancient temples. He justified his remarks by saying that he had personally examined the manuscripts of this work which had been marginated with prompter's marks and notes indicating entrances and exits. The ritual was evidently part of the primitive mask cult. When a priest, or even a consecrated layman, put on the mask or likeness of one of the gods, he became identical with that god."
Source: "The Egyptian, Masonic, Satanic Connection" By David L. Carrico and Donna M. Carrico, Copyright ©1994 by David L. Carrico
Last edited by Karen on Thu 16 Sep 2010 - 3:56; edited 4 times in total